In a world where fashion often moves at an unsustainable pace, Wayla offers something different—a slower, more intentional approach to creating and consuming clothing. Founded by Levia, a creative with a background in fine arts and a connection to nature, Wayla’s ethos reflects a commitment to thoughtful design, sustainability, and mindful living.
A Creative Journey Shaped by Art and Nature
Levia’s approach to design has always been guided by an intuitive sense of creativity rather than a formal path into fashion. She grew up next to a river and forest on the edge of a small town in Finland, where nature was her playground. WIthin her family creativity was encouraged through evening art classes, summer camps, and an early exposure to different forms of creative expression.
Later she went on to attend Savonlinna High School of Fine Arts, later studying fine arts at the Edinburgh College of Art, majoring in sculpture while doing multimedia and installation art. Alongside this, she also studied photography, painting, and drawing—building a visual sensibility that would later shape her work across different creative fields.
Influenced by environmental art, Japanese Wabi Sabi, Zen philosophy, and textile art traditions, she developed an appreciation for the beauty of imperfection and the energy within handmade objects. Her work was hands-on and tactile, often using natural materials like fabric, rope, clay, ash, recycled wood, and even water to explore themes of impermanence, change, and the processes of nature that our human experience is also a part of.
Her work brought together conceptual art with artisanal techniques—guided by the idea that physical creations carry the presence and intention of the maker. Alongside these influences, her perspective was shaped by her connection to the natural world and an early concern for the human impact on the environment, as well as an affinity for simplicity and organic materials.
While Levia first learned to sew as a teenager, it was in her early twenties, when traveling extensively, that her approach to clothing began to take form. Living with only what she could carry, she began sewing capsule wardrobes—versatile, neutral-toned pieces made from natural materials that effortlessly fit into a minimalist lifestyle carried in a backpack.
This wasn’t about fashion in the conventional sense, but about dressing in a way that was functional, adaptable, and in harmony with daily life. Many of these pieces were handmade during summers in Finland, sewn from natural fabrics and designed to be worn across climates and cultures—loved until they wore out.